A jury on Thursday found former Grateful Dead bar owner and jam-band scene fixture Jay Bianchi guilty for sexually assaulting three women between 2020 and 2024, following a nearly month-long trial that included dozens of witnesses and hundreds of pieces of evidence.
The 12-member jury took 8 days after the trial’s Nov. 6 closing arguments to convict Bianchi on five of his 10 charges. The jury did not come to a verdict on the other five charges, which also involved drugging and sexual assault charges covering a four-year period.
Bianchi, dressed in a dark suit and tie, looked at the ground during the reading of the verdict for the first time since the trial began.
Bianchi was arrested in April 2024 on suspicion of six counts of sexual assault and one count of unlawful sexual contact related to three separate cases. He had earlier been accused of sexual assault by two women who shared victims’ statements with the Colorado Musicians Union and spoke on the record to The Denver Post in 2021 about their experiences.
However, a hearing for Bianchi was postponed in the fall of 2024, and the charges were amended as the Denver Police Department urged more potential victims to come forward. Bianchi was eventually charged with 10 offenses and pleaded not guilty. The trial’s opening arguments began on Oct. 20.
An additional trial may be coming in January for the other five charges, Second Judicial District Judge Andrew Luxen said Thursday.
Bianchi did not testify during his trial, but videos of his interviews with police officers were played for jurors in the jury room. Prosecutors sought to demonstrate a years-long pattern of abuse that centered on four women and one man, with criminal charges related to three sexual assaults and two drugging incidents starting in 2020.
“What we do know in this case is that Mr. Bianchi had no right to touch them the way he touched them,” prosecutor Bree Beasley, a senior Denver Deputy District Attorney and a sexual violence specialist, said in closing arguments on Nov. 6.
Bianchi’s team, led by public defenders Victoria Eidsmo and Megan Jungsun Lee, raised numerous objections throughout the trial, saying prosecutors used emotionally charged language to sway the jury’s opinion, such as calling Bianchi a rapist during closing arguments. They also criticized the years-long, stop-start police investigation and the women’s motivations for making the allegations.
Luxen quickly overruled most of the defense’s objections — including four that were raised during the final minutes of the trial.
“Gossip, assumptions and rumors are what got us here,” Eidsmo argued during closing arguments, saying that all of Bianchi’s sexual experiences had been consensual. She attacked news media reports as tainting the victims’ memories and picked apart the victims’ timelines and motivations when they took the witness stand at Denver’s Lindsay-Flanigan Courthouse. Jurors heard from 45 witnesses in all.
The verdict is a milestone of sorts for the city’s jam-band scene, where close-knit fans of the Dead and other acts were initially split in their support or criticism of Bianchi. The issue had weighed on the family-like scene for years as popular Bianchi-owned bars were targeted by musicians and advocates for sexual assault survivors in relation to Bianchi’s alleged crimes.
Not mentioned in the trial were Bianchi’s three decades of other legal troubles and criminal allegations related to his businesses and personal practices. Bianchi had convictions for assault, drug possession and the flouting of COVID-era mandates, preceding the 2022 closure of the Bianchi-owned Sancho’s Broken Arrow bar and So Many Roads Brewery in 2024 — both sites of sexual assaults, according to prosecutors.
Lawyers relied on hundreds of details during the trial — photos of bodily injuries, difficult testimony from witnesses, nurses, detectives and Bianchi employees, and text, video and phone call records — but acknowledged that the amount of evidence could be overwhelming to jurors.
The prosecution urged jurors to ultimately believe the witness testimony, while the defense argued that evidence proved Bianchi’s innocence, despite rumors and smear campaigns against him by supposedly jilted sexual partners, former employees, and critics on social media.
Bianchi had been a fixture of Colorado’s jam-band scene for more than two decades, previously owning and booking bands at “Don Quixote”-inspired venues including Quixote’s True Blue, Dulcinea’s 100th Monkey, Be on Key Psychedelic Ripple, and Cervantes’ Masterpiece Ballroom.
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