In the 11-minute video, Visconti--a longtime Bowie collaborator who worked with the legendary musician on 12 of his studio albums—reflects on the artist’s goals and the sound he was pursuing on Blackstar, which was released on Jan. 8, 2016. Bowie died just two days later at the age of 69 following an 18-month fight with liver cancer, which he kept secret until after his death.
“David phoned me up for another album, he said, ‘Let’s get together and have a little chinwag,’” which is the first time I’ve ever heard that word, ‘chinwag,’” Visconti explained.
Jazz Dreams
One of those songs, “Sue (Or in a Season of Crime),” co-written with Maria Schneider, set the tone for the album. “She’s also a great arranger who studied with Stan Kenton. She was big time and both Bowie and I were Stan Kenton fans, who was an avant-garde jazz arranger from the 1950s,” Visconti explained.
Exploring the jazz genre presented a dilemma for Bowie, Visconti said, because Bowie’s band was comprised of rock musicians. Although they were good musicians and could play jazz, “we realized they would only be rock musicians attempting to play like jazz, real jazz.”
The jazz musicians, used to improvising, record much quicker than rock musicians, Visconti explained, and that seemed to please Bowie, who had dreams of working as a jazz player. “We all know that David played baritone sax over the years,” the producer added. “He always in his heart of hearts, wished he could be a better jazz musician.”
'One of His Greatest'
“I’m so happy his last album was among one of his greatest,” Visconti said. “He didn’t go out like a has-been. He went out like a legend, like a God. And I want people to think of it like that.”
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