Sometime in 1988, the actor, musician, and painter John Lurie was busy designing the cover for Voice of Chunk, an album by his band, The Lounge Lizards, then slated for release in Germany. Lurie wanted to revise the original cover art, which foregrounded his face in profile, framed by a saxophone, and which annoyed him. His solution? An eel. That is: a photo of a live, or at least newly dead, eel, laid out in a straight line, bisecting the photograph. Lurie went to the Fulton Fish Market in the Bronx, in hopes of procuring an eel. No such luck. Then to the docks, where fishing boats unloaded their fresh catches to wholesalers. No eels there. So he drove to Chinatown, where he found eels floa
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