At its surface, it is the tale of Yuli, a woman pushed past breaking point after decades of humiliation and betrayal. Her solution? Summon a black magic ritual that could make even seasoned horror fans say, “Maybe therapy was cheaper.”
Villains all the way down
The irony? The grandmother, the supposed matriarch of wisdom and order, is revealed to be the root of the family’s rot.
It is about bad versus worse and the winner is... well, whoever manages to survive the curse the longest. Watching the film with the mindset of “you will either root for the villain or the other villain” is the only way to get through it without crying into the popcorn.
There is no delicate way to phrase it – the narrative is just plain messed up. Betrayal, cruelty, black magic rituals involving freshly dead bodies and family ties used as chains rather than bonds – all these ingredients make for a story that feels more like a nightmare than a drama.
When characters suffer, it is not just the supernatural at play – it is the weight of years of cruelty finally crushing them.
The cast elevates what could have been a one-note revenge tale into a genuinely gripping tragedy. Yunita Siregar delivers a layered portrayal of Yuli, moving smoothly between victim, avenger and tormented soul. Dinda Kanyadewi’s Laras is sharp, fiery and infuriatingly believable as the daughter who thrives on cruelty.
Together, they make the “family from hell” feel uncomfortably real and that realism is what makes the horror cut deeper.
Of course, this being a horror film, the supernatural elements are just as important as the family drama. The black magic ritual at the heart of the film is one of the most unsettling premises in recent horror, requiring the names of victims to be inserted into a fresh corpse within a strict seven-day timeline. Fail and the caster pays the price.
The result is horror rooted in ritualistic dread rather than jump scares, creating a suffocating atmosphere that lingers long after the lights go up.
What sets Kitab Sijjin & Illiyyin apart is its refusal to let anyone off the hook. The audience is forced into a contradictory position, feeling sorry for Yuli while simultaneously condemning her actions. The film practically dares viewers to ask themselves: “What would you do after decades of abuse?”
This tension between sympathy and condemnation drives the emotional weight of the story. It is tragic not only because of what happens but because every character had choices and nearly all of them chose cruelty, silence or revenge.
Absolutely, but with the right mindset. Go in expecting a neat moral divide between hero and villain and disappointment awaits. Approach it knowing that every character is flawed, damaged or downright monstrous, and the film reveals itself as a chilling study of how generational trauma festers. It is horror not just because of curses and corpses, but because families can destroy each other in ways more terrifying than ghosts.
Tragedy with no innocents
Yuli’s descent into black magic is as horrifying as the abuse that led her there, creating a story where right and wrong collapse into one tragic blur.
It is a film where rooting for the protagonist feels dangerous, condemning her feels unfair and the only real winner is the audience – if they manage to stomach the ride.
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