Instead, it is an unapologetically odd meditation on revolution, America’s uneasy history with racial cleansing and the bizarre persistence of “superior” underground white clubs who believe their bloodlines entitle them to run the nation.
It is not the typical crowd-pleaser and that is precisely the point.
Leonardo DiCaprio, playing the washed-up revolutionary Bob Ferguson, delivers the kind of performance that makes viewers remember why he has two trophies on the mantelpiece and keeps being invited back to the Oscars. He sweats, he rants, he looks perpetually three seconds away from a heart attack, and it is magnificent.
This is not the charming conman or slick businessman role – it is raw, desperate and oddly hilarious. The actor’s commitment is so intense that even when the story veers into abstract racial allegories and secret-club lunacy, the audience cannot look away.
Calling One Battle After Another “challenging” feels like an understatement. This is not a film designed for general audiences. The explosions and brawls may suggest a straight-up action thriller, but Anderson refuses to let anyone get comfortable.
It is messy, yes. At times, it is even absurd. Yet beneath the oddball flourishes lies substance, grit about America’s inability to reckon with its own violent history and a sharp satire about cycles of oppression.
Surprising raunchiness
The eroticism is not gratuitous, though it punctuates the story’s themes of betrayal, dominance and desire. At times, the physicality between characters feels as violent as the firefights. While the film could certainly have trimmed a scene or two, the raunch is part of the whole strange tapestry. In an odd way, it completes the movie.
While DiCaprio carries the film, the supporting cast ensures that it never becomes a one-man show. Sean Penn leans into snarling villainy with the kind of menace that teeters between terrifying and cartoonish. Benicio del Toro, meanwhile, seems to be playing in a different movie altogether – half martial arts trainer, half accidental comedian – but somehow his energy works.
Teyana Taylor, as the conflicted ex-ally and estranged partner, gives the film its emotional turbulence. And newcomer Chase Infiniti, as DiCaprio’s daughter, brings a surprising steadiness to the whirlwind around her.
Style, substance, stubbornness
And Jonny Greenwood’s score, part pounding industrial, part elegiac strings, feels like an electric current running under the entire film.
Film that divides
Both camps will be right.
Cannot be ignored
Those willing to watch One Battle After Another with an open mind, rather than expecting a neat action thriller, will discover a film of bizarre but undeniable power. It is not general-audience bait – it is cinematic provocation. And at the centre of it all, DiCaprio’s acting remains legendary.
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