Starring Dakota Johnson as Lucy, an emotionally walled-off matchmaker who treats love like a luxury commodity, the film unfolds through carefully curated interactions that feel equal parts intimate and transactional. Enter Chris Evans as the dreamer with a day job and Pedro Pascal as the six-figure suitor with everything, except, perhaps, actual chemistry. The casting trio might seem like a thirst trap, but viewers who show up just for the eye candy will stay for the existential dread disguised as romantic revelation.
At its core, Materialists offers an unusually nuanced examination of modern dating. It is not just about whether love conquers all, it is about whether love even stands a chance in a system where people match based on curated checklists and net worths.
The love triangle is not so much a triangle as it is a Venn diagram of privilege, passion and practicality, with Lucy awkwardly straddling the overlap. The rich guy is not a villain, he is just... convenient. And the broke guy is not a saviour, he is just inconveniently sincere. That Materialists gives both men equal footing while poking holes in the illusion of perfect relationships is what makes it clever.
Classy dates, broke realities
Much of the emotional resonance comes from the ways Materialists captures the quiet tension of navigating relationships across socio-economic lines. It is a reminder that luxury does not always equal love and sometimes, a parking fee says more about compatibility than a diamond ring.
For the disillusioned and the hopeful
Katina Danabassis’ costume work is also worth noting, each character practically wears their class status. From Lucy’s muted power dresses to the careful contrast in her two love interests’ wardrobes, the film signals its themes before a single word is spoken.
Critics have described Materialists as elegantly devastating, a fitting label for a movie that makes viewers laugh uncomfortably and then immediately question why. It functions less as escapist romance and more as a Rorschach test for how one views relationships.
Swipe thoughtfully
Romance? Check. Drama? Check. Social commentary, heartbreak and gentle existential dread? Triple check.
DIRECTOR: Celine Song
E-VALUE: 7/10
ACTING: 7/10
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