In a programme note, Macmillan drolly but aptly describes the piece as a “one-person comedy about suicidal depression with audience participation”. With the increased national focus on mental health since the work’s premiere a decade ago, I expect its themes to resonate even more fully and richly now and for spectators to appreciate its emphasis on the importance of connection and community, as opposed to the debilitating isolationist impulses of depression.
The audience becomes part of the action in ‘Every Beautiful Thing’ (Photo: Helen Murray)And this is where we come in. Ushers hand out cards printed with various list items to certain audience members and it is our job to read them out when Henry calls the number (stay alert: tardy reactions elicit a good-natured scolding). My card read “761. Deciding you’re not too old to climb trees”, and I mercifully responded just in time. You see, the young boy grows up, navigates his mother’s second suicide attempt 10 years later and continues to compile the list when he goes to university. Thus “ice cream”, the very first item in the ranking, is joined years later by “sex”.
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Our fellow spectators, with all their quirks and idiosyncrasies, are delightful in their contributions – and the warmly inclusive ambience means we laugh with, rather than at, them. Occasional ad libs only add to the merriment: when someone can’t read what is required, a pair of glasses is swiftly crowd-sourced and Henry borrows them, too. “It’s like Specsavers here,” he quips.
To 8 November, Soho Place, London (sohoplace.org)
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