Couldn’t she have taken up, say, arts and crafts to alleviate the boredom she suggested she felt at her old life as a finance recruiter in the NHS? But there, interspersed with footage of her surrounded by men in balaclavas, or her face covered in bodily fluids, were scenes of Blue carefully arranging beads on a canvas and slotting together jigsaw pieces.
Blue’s level of emotional detachment, or even relish when it comes to extreme sexual acts, is the sort of thing that can point to a troubled or traumatic upbringing. But by all accounts, her’s was a happy, ordinary one – a sleepy village in Derbyshire, nice middle-class parents, competing in the British Street Dance Championships. The most expansive profile of her recently, in The Times, described her childhood as “warm, close, loving”.
At the extreme end, you have Andrew Tate’s quote on an infamous podcast he did with Blue, where he described her as the “perfect end result of feminism”; likewise, Jedediah Bilah, the right-wing podcast host, suggested she is the “ultimate manifestation of modern feminism”.
Third-wave feminism does not always have satisfactory answers on porn and sex work. But the idea that Bonnie Blue is in any way a manifestation of any wave of feminism, is a joke. A back-of-the-envelope test for whether something is feminist is, I’d argue, how we’d feel if a man did it. And I think we’d still be pretty grossed out by a man performing the stunts Blue does.
Blue appears agnostic, when pushed, to the plight of young girls who may see her content online and think that it represents a normal way to have sex with men, saying it’s up to parents to educate their kids. She says her favourite thing is seeing wedding rings on the men she sleeps with; that the content she enjoys making the most is with “the barely legals, the students, the husbands”. It’s not giving “women supporting women”.
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As the quote every thinkpiece repeats from Blue’s mum goes: “If you could earn a million pounds in a month, your morals would soon change and you’d get your bits out.” Blue self-avowedly encourages outrage, particularly from women, because it drives clicks. She earns £1.5m a month, but that is not enough: she states her ambition is to get £5m a month. This isn’t a woman trying to get by; this is greed.
When you examine closer, everything Blue does is performance art in the service of advertising. Yes, she might sleep with men for free but she never does so secretly, it’s only ever “content”. She has marketing slogans: the tongue-twister “1000-man-gangbang” is repeated so much on the documentary it starts to feel mundane (which is some feat), ditto “rearrange my insides”.
When Blue says “my kink is gangbangs”, she means it’s her cash cow. Ultimately, Bonnie Blue is not about female empowerment; she is about Bonnie Blue empowerment. It’s intellectual dishonesty to link her to anything women are striving for.
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