The porn star, real name Tia Billinger, has built a life in which cameras surround her at all times: she’s far too well rehearsed to reveal much more to documentary-maker Victoria Silver other than a few pre-practised lines.
She keeps telling us this, even as she also complains that she’s “never had such bad flu in my life” immediately after sharing intimate encounters with a thousand strangers, which she seems to consider some kind of unfortunate coincidence.
No doubt Billinger would dismiss my concern. She has built her Bonnie Blue brand on baiting women like me, as much as on the fantasies of teenage boys. Bonnie is here to tell men she’s on their side, not the side of killjoy women: “Don’t worry wives, this is proof your husband used protection,” she purrs as she pulls starfish shapes on a floor covered with used condoms. If you were to take the definition of a “pick-me girl” and run it to breaking point, this is it.
‘On camera, she insists that she’s the epitome of every feminist fight to escape the domestic sphere’ (Photo: Gilbert Flores/Getty Images)But Silver and Channel 4 have given her an almost unchallenged national platform to tell the world that women “owe” their husbands the type of sex she offers – “treat me like a slut”, she says repeatedly – so here we go round again.
No, Tia. We’d just like you to experience sex, for once, that isn’t about a bloke and his orgasm – sorry, “load”, as she prefers to call it. And if sex with strangers so repeatedly devolves into a degrading experience for the woman involved, it’s no wonder that increasing numbers of other women, casting our eyes askance at the excesses of the sexual revolution, would rather give it a pass.
square LUCY MANGAN Bonnie Blue’s porn stunts make me feel old, but I know I’m right
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If older feminists insist on patronising the real Tia Billinger, it’s because we’ve seen it all before. Fifteen years ago, as a student, the lamest thing you could do was suggest that Katie Price might not be a happy role model. (Being a loser, I nonetheless suggested this regularly.) You’d be greeted by a knowing shake of the head: “don’t you know”, said every interlocutor, convinced of their own cleverness, “that she’s actually a very successful businesswoman?”
Much of Silver’s documentary concerns Billinger’s own ongoing disputes with OnlyFans: she’s now trying out a rival platform, but says she’s incapable of establishing her own and fully controlling her content. (“I’m better at sucking dick than setting up a website”). Josh, her “live-in videographer and creative director”, constantly interrupts her; an all male-production team surrounds her; there’s much mention of the astronomical sums coming into her accounts, but no scrutiny of who is managing or investing in them.
Is Bonnie Blue truly finding fulfilment? We have yet to know.
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