There is no slow-burn waiting game here. Arum, played with unsettling precision by Saskia Chadwick, is a menace in pigtails. Her unholy episodes are the stuff of pure nightmare fuel, laced with physicality and unpredictability that keep everyone on edge. Whether it is the flickering eyes, bizarre convulsions, or just the way she stands in a room, she is the thunder before the storm.
Everything comes together
That is when the cinematography by Mandela Majid really starts to shine, too. Java’s sprawling landscapes turn claustrophobic, traditional rituals look alien and the line between myth and metaphor becomes harder to define. Luna Maya (as the emotionally fraying mother Lastini) delivers her most powerful work here, channeling a mix of love, guilt and desperate hope that anchors the madness around her.
Underneath the demonic theatrics, the film quietly tells a much sadder story, one that hits harder once the reveal arrives. Arum is not just cursed. She is treated like a curse by others. The people around her are quicker to blame than to understand and her increasingly disturbing behaviour becomes a symbol of how society deals with those who are different, especially disabled or neurodivergent children.
It is a gut punch disguised as a ghost story.
Jalan Pulang could have taken the easy route: creepy kid, jump scares, spooky woods, done. But it does not. The story spirals deeper, revealing layers of trauma, vengeance and generational pain. There are shamans, ancestral spirits and cryptic visions but the real evil is not always supernatural.
And yes along the way, Arum continues to do things that no child should ever do outside of an exorcism scene. So maybe do not bring snacks.
Plus, it helps to have someone nearby when Arum starts levitating.
Jalan Pulang is more than just a creepy-kid horror flick. It is a cautionary tale about what happens when fear overrides empathy. The film may begin with the death of a man and the possession of a child, but its real horror lies in society’s cruelty toward those who do not conform and the irreversible consequences of looking away.
DIRECTOR: JeroPoint
E-VALUE: 6/10
ACTING: 6/10
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