Now, we’re back in the courtroom for its spiritual sibling, Inter Alia, with Rosamund Pike as Jessica, a Crown Court judge juggling the demands of work and family life. The parallels with Miller’s first play are undeniable: Justin Martin returns to direct, and once again, the script exposes how badly the law fails victims. But there are new concerns too: motherhood and all its worries, the manosphere, and the unspoken competitions that can exist within marriage.
Jasper Talbot and Rosamund Pike in Inter Alia at the National Theatre (Photo: Manuel Harlan) square ARTS Jodie Comer blazes with fury in sexual assault drama Prima Facie
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But from the beginning, we know what horrors are coming. Jessica has spent her son Harry’s life trying to wrap him in cotton wool and protect him from the world. She revisits scenes from his childhood: the moment she lost him in a playground, and another when she taught him to scream if a man touched him inappropriately. Using kitchen utensils as visual aids, she delivers an uncomfortable lecture about porn and the importance of consent. Still, despite the occasional “pat on the back” she gives herself for being a good, present mother, Harry, at 18, is accused of rape.
At the Lyttelton Theatre at the National Theatre until 13th of September
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