THERE is a clear sense of urgency for activism in Nadira Ilana’s work as a filmmaker and human rights advocate. She feels the need to create conversation surrounding what a Malaysian identity is, on her own terms as an East Malaysian. In that process of exploring her identity, she produced two of her best-known documentaries, The Silent Riot (2012) and Big Stories Bongkud-Namaus (2016), while championing a better and more inclusive cultural representation of Borneo-Malaysians in the national narrative, as well as defending free speech and expression at the frontier of filmmaking. “As a Sabahan filmmaker with Kadazan-Dusun heritage, making a film is the difference whether our native languages
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