A shame then that Corenswet finds himself in such a confused film, packed to the rafters with too many villains (Lex Luthor, Ultraman, the Engineer), superheroes (Green Lantern, Hawkgirl and Mr Terrific) and complex geopolitics.
Rachel Brosnahan and Corenswet have great chemistry (Photo: Warner Bros via AP)Brosnahan and Coronswet have a lot of chemistry, particularly in an early scene in her apartment celebrating their three-month anniversary, where Lois “interviews” her boyfriend. They are in love but they are also at odds, because Lois isn’t sure about the ethics of Superman’s unchecked meddling in global politics (she has a point). The tension, both sexual and narrative, simmers.
María Gabriela de Faría, from left, Sara Sampaio and Nicholas Hoult in Superman (Photo: Warner Bros. Pictures via AP)
Superman fights a Japanese Kaiju monster with the Justice Gang led by the Green Lantern (Firefly’s Nathan Fillion with a bowl hairdo) before Luther finds footage suggesting Superman has messianic ambitions and is given permission to lock him up in a “pocket universe” prison. There’s coding and hacking and a mindless black hole issue. It all starts to feel horribly nonsensical and derivative.
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If only more of the movie were like this. I salute Gunn, who was poached from Marvel, for trying to infuse this reboot with humour and vitality, dragging it out of a gloom that no longer suits viewers plagued by enough real-world problems. With an amusing Milly Alcock appearing briefly as a wayward Supergirl ahead of her 2026 film, one can only hope that Gunn will streamline his plots for the next DC outing and give this very likeable Superman more of a chance to shine.
In cinemas 11 July
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