From an idea hatched by Spielberg with returning screenwriter David Koepp (who adapted Michael Crichton’s novels for Jurassic Park and the 1997 sequel The Lost World), Rebirth moves the story on several years from the last entry, Jurassic World Dominion. While that critically-maligned effort brought back the legacy characters, Rebirth is as the title suggest. New story, new characters (and only one brief mention of Sam Neil’s palaeontologist Dr Alan Grant).
Leading the mission is capable operative Zora Bennett (Scarlett Johansson), who recruits Loomis to help take blood samples of three of the biggest dinosaurs, as part of a project to aid research into curing heart disease. With transport provided by boat captain Duncan Kincaid (Mahershala Ali), their expedition is soon waylaid when a distress signal comes from a family – the Delgados – whose sailboat is upturned by the first of the trio of dinos Zora and her team are tracking, the monstrously big aquatic creature, the Mosasaur.
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True, this ultimately is another Jurassic movie set on an island, with youngsters in peril. So those looking for something completely different may be disappointed. But Edwards knows exactly which buttons to press, notably in the scene featuring the majestic Titanosaurus. With Alexandre Desplat’s score giving way to John Williams’s original music, its every bit as lump-in-the-throat as the moment in the original movie where the gang first see the Brachiosaurus grazing in the park.
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This isn’t the only cheeky wink to Jurassic Park. Krebb’s vehicle bears the legend “Objects in mirror are closer than they appear”, the same warning famously glimpsed when Jeff Goldblum and others are trying to outrun the T.rex. Then, in a nice touch, the famed “When Dinosaurs Ruled The Earth” banner, seen in John Hammond’s park, is being removed from Loomis’s museum. But it never feels like Koepp’s script is simply bowing down to the movie he scripted 32 years ago.
Jurassic World Rebirth is in cinemas from 2nd July.
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