Dance-pop, for one, no longer dominates the music charts as it used to in the 2010s. But we might be on the cusp of seeing its resurgence thanks to Tate McRae.
Capturing her experience growing up, McRae conveys the introspective journey through infectious pop and dance-pop melodies.
The album could not have arrived at a better time. Considering the nostalgic longing among music enthusiasts, So Close to What offers a sweet escape to the late 2000s and the 2010s.
The infectious tracks evoke the same feeling of edginess and sassiness, ideal for accompanying you on the dance floor.
Heading in this sonic direction is a smart move on McRae’s part – it plays to her strength as an artiste.
But McRae does not abandon her emotional roots. Residues of You Broke Me First, the ballad that catapulted her to fame, can be found in Means I Care and Siren Sounds. They would make good singles.
That said, the album does not have much substance to it. While there are a few memorable tracks to bop to, the majority of the album’s offerings do nothing for McRae’s pop credibility.
She could, however, turn things around. After all, this is only her third studio album. Some of the best pop artistes only reached their peak at their fourth or fifth one.
Producers such as Max Martin, Shellback and Ester Dean could stretch her musical capabilities and enrich her sound. Maybe then, McRae can finally rise up as this generation’s pop icon.
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