In Tony Tulathimutte’s debut novel, Private Citizens, Will, a computer programmer, wonders “whether masturbating to porn was an art form: not as ‘erotica’ or performance art, but as solitary pursuit of the sublime.” Surely, he thinks, “someone must have done it seriously, subtly, with literacy and flair, a masturbauteur.” Tulathimutte’s fiction teems with such figures, but if their self-pleasure is an art, it’s usually a baroque one—tragic, violent, or both. Will himself is eventually reduced to “watching porn on the toilet dual-wielding his phone and dick” after he and his girlfriend, Vanya, consent to livestream themselves 16 hours a day to promote Vanya’s startup, Sable (they get four 15-
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