"That's the ugliest thing I've ever seen in my whole life!" a little girl (Bethany Simons-Denville) exclaims. She shouts it at the audience, who, in "Seed of Chucky"'s first-person opening scene, takes a queer kid's point-of-view. As she throws them into a toy chest, it's like we fall into a closet. The kid comes out soon after and, in a "Halloween" riff, murders the girl's parents. She reappears to scream at us. It's a nightmare and, before we can fully decimate the family unit, we wake up. It's November 2004, and the fifth entry of a perennial horror franchise is hitting multiplexes across America. Mel Gibson's apex of Hollywood conservatism, "The Passion of the Christ," is still one o
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