You might begin reading Palestinian poet Mosab Abu Toha’s second collection, Forest of Noise, by judging his book by its cover. On a matte, off-white background, a bark-brown, finger-painted hand and spindly arm stretch diagonally; green thumbprint leaves sprout from the fingers. It’s a tree limb. A child’s raised hand. An arm stretched in terror. With its multiplicity of meanings, Arsh Raziuddin’s arresting cover art captures the spirit of Mosab Abu Toha’s candid poetry about living in and through war and genocide in Gaza. It teases a litany of quandaries central not only to this collection but also to Mosab’s online presence as an unceasing chronicler of Israel’s des
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