Back in the mid-1970s, the great Robert Altman was reportedly planning a film of Kurt Vonnegut’s 1973 best-seller “Breakfast of Champions,” his wild, satirical novel aiming at the increasingly brutal nature of American society. It would follow two characters crossing paths: Dwayne Hoover, a big-shot car dealer in Midland City who seems to have it all on the surface but is teetering on the brink of a nervous breakdown, and Kilgore Trout (a recurring character in Vonnegut’s works), a prolific but largely unknown sci-fi author of inexplicably summoned to be honored at a local arts festival. The task of wrestling Vonnegut’s complex prose into a workable screenplay was given to Alan Rudolph,
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