Before one even reaches a minute into reading The Death of a Salesman (1949), a Pulitzer Prize-winning play by American playwright Arthur Miller, there is a pervasive emotion that is felt from the beginning and carried to the end of the play: the complete exhaustion of all the characters. Exhaustion, for these characters, is not just experienced after a demanding workday or a traumatic event; it lingers with the characters as though it’s a constant emotion, always hovering. From the instant they wake to the moment they fall asleep, their exhaustion seeps into everything around them—the world, the people, and most of all, from the weight of simply being. Set against the backdrop of the Great
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