“Welcome to Peeping Toms, New York’s newest and grooviest game!” – Brian De Palma, “Sisters” “You know your dick was hard the entire time,” Quentin Tarantino once accused of Stanley Kubrick. It was in response to how Kubrick maintained that “A Clockwork Orange” was a powerful statement of anti-violence and took no pleasure in its graphic acts of mayhem and assault. For Tarantino–among the most rabid Brian De Palma superfans–that is pure hypocrisy. To him, films are exercises in fetish and kink at 24 frames per second, celluloid wet-dreams for cine-stroked gratification. Movie directors, like Tony Montana, get high on their own supply. In its 40th year, “Body Double,” one of De Palma’s
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