In Francis Ford Coppola’s “Megalopolis,” Adam Driver gives a one-for-the-ages performance. He plays Cesar Catilina, the inventor of Megalon, a bio-adaptive building material that he believes can change the course of human history, which he wants to use to create the title city, a modern utopia, despite opposition from reactionary mayor Frank Cicero (Giancarlo Esposito). It’s the kind of role that a filmmaker wants and perhaps needs Adam Driver to play. He’s become a specialist in playing colorful, difficult (and sometimes baroque or outright loathsome) roles in films by auteur directors with very strong stylistic signatures and a unique storytelling energy that actors sometimes have trouble
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