When some colleagues and I recently met to discuss the past year in culture, we easily agreed on one thing only: Corporate consolidation, and not just the pandemic, took a heavy toll on the arts this year. Everybody seems to be streaming the same handful of TV shows—The Crown, Mrs America, Normal People, The Undoing—while only a few young novelists, like the justly praised Raven Leilani and Brandon Taylor, made it to “breakout” level. By the end of the year, we could barely remember any of the small-gem films of 2020 (Miss Juneteenth, The Sound of Metal, The Forty Year-Old Version), so haunted were we by the awfulness of Mulan and Tenet, which were supposed to be industry-savingly good. The
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