A year ago, I wrote about the real challenges the Toronto International Film Festival has faced in trying to reclaim its spot at the top of the fall festival events. With the ascendance of both Venice and Telluride over the last decade, as well as the one-two punch of the COVID lockdown and the WGA/SAG strikes that deeply affected red carpet participation, 2023 proved that TIFF was at an inflection point. It lost its main sponsor, audiences were frustrated, and the caliber of World Premiering films, save for a select notable few, had dramatically diminished. With the likes of eventual Oscar nominees like “Poor Things,” “Maestro,” and “Ferrari” eschewing Toronto altogether in favor of splash
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