Larry Karaszewski remembers it like it was yesterday. He and his writing partner, Scott Alexander, were having lunch in the commissary at Universal Studios, which had produced their scripts from “Problem Child” and its sequel. “We were being really typecast as people who write these junky kids’ movies,” Karaszewski recalls. “We actually took a meeting somewhere where we pitched an idea, a political idea, and someone said, ‘Oh my god, it’s a really good idea, but you guys are the guys who write ‘Problem Child’ movies.’” Eating at the commissary that day, Karaszweski glanced up and saw a poster for one of the old “Ma & Pa Kettle” films on the wall. “And I was like, ‘Who are those dudes?’ and
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