TIFF 2024: Emilia Pérez, The End ...Middle East

People were breaking into song and dance at TIFF this year. Mike Flanagan’s “The Life of Chuck” has one of the most charming dance numbers on years, and “Megalopolis” feels like it could become a Baz Luhrmann film on multiple occasions, but it was Jacques Audiard and Joshua Oppenheimer who brought actual, original musicals, with varying degrees of success. One of the more divisive films of this year’s Cannes, “Emilia Pérez” is a wild swing of a movie, a flick that plays like a traditional Narcos thriller filtered through the female-powered vision of an auteur like Pedro Almodovar, but the characters break into song in this one. It is unapologetically melodramatic and ridiculous, exaggera

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