Patterns emerge at film festivals, and the opening night of Toronto 2024 might suggest there’s something wrong with the men of America. Whether it’s a boxer brutally abusing his body, a game show contestant trying to save his family, or a real estate mogul learning what matters to him, these three films from the first night of “the fest of fests” this year have an unusual common DNA. However, outside of troubled male protagonists, they’re remarkably tonally different, indicating the breadth of programing at the fest. Sadly, none of them really work, even if one puts up a good fight. The best of the trio is “The Cut,” a boxing movie that’s not really about boxing. Unlike most movies about
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