Rachel Cusk’s Parade appears in its early pages to uphold a grand tradition: the novel about an artist. G is a painter, much admired but “angry and hurt by the world.” G, notable for rendering images upside down, works in a somewhat gimmicky mode, but he’s more than a showman. “At first sight the paintings looked as though they had been hung the wrong way round by mistake,” Cusk writes, “but then the signature emblazoned in the bottom right-hand corner clearly heralded the advent of a new reality.” Cusk’s cursory description of this work—“slender birch trees in sunlight,” “a man cowering alone in bed”—suggests she knows that art’s power is ineffable, beyond its appearance.Readers who know Cu
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