AFTER several years of relatively decent horror sat alongside run-of-the-mill Blumhouse-styled productions, the genre seems to be back on the offensive in 2024 with some great offerings that broke the mould.Earlier this year, Immaculate set the stage with great acting, The First Omen followed it up with weird visuals and cinematography, while Abigail brought the blood and guts.Now, Stopmotion has hobbled onto the scene, bringing a nearly complete package for arthouse horror fans.Having worked as an assistant to her stop motion animator mother for so long, Ella Blake (Aisling Franciosi) finds herself liberated when the old woman falls into a coma. No longer chained as the “hands” to the latte
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