One of Sean Baker’s gifts as a filmmaker is that he makes us feel like insiders even in worlds that are likely to be unfamiliar to most of us. Sex workers who look after one another with fierce loyalty become our friends, too. Kids making their own scrappy magic while living in a budget motel on the edge of Walt Disney World ignite our imaginations as well, reminding us what it was like to conjure fun out of nothing, especially when our parents were off doing other things. Baker’s new movie Anora, playing in competition here in Cannes, invites us into the world of a young sex worker from Brooklyn named Ani—she doesn’t like her full name, which is the same as the movie’s title, though
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