It was just past 1 p.m. on the first Friday in May, and a two-day festival of “dangerous ideas” was about to begin in a glassy warehouse on the Brooklyn waterfront. Winston Marshall, former lead guitarist of the once enormously popular folk rock band Mumford & Sons and the conference’s lead organizer, bounded onstage. About a minute into his spiel about why he’d created the event, he momentarily lost his train of thought. “The important thing is … I’m drawing a blank,” he said, laughing lightly. Then, getting back on track: “The ‘why’ is community; the ‘why’ is to engage in difficult conversations.” You’re going to see “lots of random, weird things,” he added, gesturing vaguely around the ro
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