IN Paul Nickson Atia’s 2019 solo exhibition Form(s) of Prayer(s) at Rissim Contemporary, he showcased 10 large-scale paintings obsessing over the concept of prayers. He created a diaristic conversation about his doubts, uncertainties, fears and concerns in the form of orisons with the higher being, while expanding on the notion of the nature and forms of salvation.It’s a reflection on cerebral pursuits unravelling very personal narratives for the artist, whose new compositions and repetitive motifs revisit and expand on a body of work called Obsesi from his 2018 solo debut, Jalan Berlari – a process-oriented presentation that featured spontaneous sketches and drawings.Incidentally, Paul’s la
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