The Extinction of Irena Rey, the multilingual translator Jennifer Croft’s fun house of a debut novel, opens with a warning—not a note; not a foreword: a warning—from a translator. Quickly, readers gather that The Extinction of Irena Rey is both the real-world book we are reading and an autobiographical novel whose author, an Argentine translator named Emi, considers the woman now translating it into English her nemesis, “the monster who seems to want to ruin everything.” Alexis, the translator in question, is understandably offended by this. She also takes issue with the author’s choice to write in Polish rather than her native Spanish, whose spirit “comes whooshing through the walls of ever
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