Ask anyone who’s spent enough time indulging their creative muscles in writing, directing, performing, or just about any other medium, and they’ll waste no time telling you that comedy is one of the hardest things to pull off. Indeed, beyond the untouchable depths of its adherence to subjectivity, comedy only offers so much narrative heft in a story, so whenever a comedy film does succeed, it usually means one of two things: It gelled with another genre (such as horror or romance) well enough that the comedy could do what it’s best at without the added responsibility of carrying a plot forward, or it was confident enough in itself to supplement a genre-inclusive story through to its
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