The greatest lie country music ever told was convincing the world that it is white. That hillbilly music turned white at the turn of the 20th century. And that Black musicians who created this music, alongside low-income white people, were suddenly classified under “race music.” The lie became a truth. Since then, the country music industry has done everything in its power to maintain this reality: Unspoken rules exchanged among programmers and DJs at terrestrial radio stations to enforce the industry’s self-appointed laws of segregation on the basis of race and gender. The grotesque mistreatment of Black country artists, especially Black women artists like the legendary Linda M
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