There’s a certain filmmaking subgenre—popularized/perfected by the Fast & Furious franchise and, more recently, The Beekeeper—that I like to refer to as “elevated stupidity.” The approach requires two very important pieces to work. The first is a surplus of story beats that are deliberately, bombastically ridiculous from every perceivable exercise of logic, and the second is ensuring that every other aspect of the film severely commits to taking said nonsense seriously, with the actors doing most of the heavy lifting in that department. When done right, these films can defy critical parameters in a way that’s—sometimes begrudgingly, but always inarguably—admirable.The post ‘Argylle’
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