How Michael Mann Changed The Visual Poetics of Cars on Film ...Middle East

Starting with 1981’s Thief — the opening moments of which feature James Caan’s tough guy ex-con Frank driving a Cadillac Eldorado through the rain-soaked Chicago streets at night — cars have always played an indelible role in Michael Mann’s films, establishing the tone and acting as framing devices for his characters and a way into their […]

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