There are two kinds of nightmares in Showtime’s surreal HGTV satire The Curse. The first is the kind of nightmare that warps and distorts the recognizable world, making you feel ill at ease in your own skin. It’s a sparely furnished suburban home completely covered in mirrors—the sun blindingly reflected at passersby, the house itself basically invisible except for the seams between panels where the surrounding figures and landscape become distorted beyond recognition. The second kind of nightmare is of a more intimate sort, the type of harrowing social encounter that haunts your subconscious for years, even decades. Within that mirrored house, it’s the scenes of a dissolving marriage, a pai
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