“Hit Man,” a Richard Linklater action comedy based on Texas Monthly reporting about a killer for hire, got big buzz at its Venice premiere and the Toronto film festival, soon followed by a $20 million Netflix deal — a coup in an otherwise subdued year for festival acquisitions. Houston-born Linklater’s film isn’t the first Hollywood project to land for Texas Monthly, but its Netflix payday and creative bona fides (he’s a five-time Oscar nominee) certainly make it the splashiest since the publication started adapting articles from its 50-year-old archives in 2019. And “Hit Man,” which is expected to hit theaters before streaming on Netflix this fall, represents a lot of what’s been working f
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