The myriad sounds of the West Indies have captivated the world for decades, from Bob Marley’s all-conquering reggae classics to more contemporary offerings from the likes of Shenseea and Masicka. In recent years, following a relatively quiet period bereft of proper crossover hits from the region, a number of hit records drawing on contemporary renderings of dancehall and reggae — Byron Messia’s “Talibans,” Ireland Boss & Malie Donn’s “V6” and Teejay’s “Drift,” among them — have made major waves around the globe. That’s not to mention the recent global dominance of reggaetón, a widlly successful offshoot of dancehall’s
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