The idea of In-Yun is one that to American audiences will seem strange and exotic. It is essentially the notion that human interaction, whether intentional or accidental, operates on a basis of predetermination founded upon previous lifetimes. Whether it be two strangers who bump shoulders on the subway or lifelong sweethearts finally tying the knot, In-Yun submits that these relationships stem from the actions of their subjects’ prior incarnations. The two lovebirds could have been literal birds who simply sang on the same branch; the two strangers could have been part of a passionate affair. This is a simplification of a mystical and nuanced concept, but it conveys an important theme: t
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