As someone who purchased “Tim,” the Replacements’ 1985 major label debut, on the day it arrived in my local record store, I can say the following with absolute certainty: If the remixed, significantly beefed-up version of the album that dropped last week had been released in 1985, the group would have been crucified by the indie-rock morality police, and it probably would have destroyed their career. Make no mistake, the new version sounds amazing: The original, produced by the late original Ramones drummer Tommy Erdelyi in a sort of homage to Phil Spector, was a muddled mess, with the instruments blurred together and an indistinct, heavily reverbed sound. On the new one, which has been
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