The wreck in the valleyno longer has an emblembut the script of the designindicates an earlyish Ford.Henry Ford was a racist,an anti-Semite, whose eventual“apology” was likely scriptedand signed by someone else.The failure of an emblemto stand for veracity—production-line business, humansuffering as quotient.To say Ford was a “pacifist”is like claiming the machine’s“neutrality” in the devastationof country. And the absenceof an emblem doesn’t changeorigins of rancour. Ifthere’s a shift in perceptionit’s only because insectsand field mice nest in the wreck,vegetation sprouting throughits engine cavity. The lossof the eponymous barely emblematic.
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