“In feature films the director is God; in documentary films, God is the director,” once said Alfred Hitchcock, and rightfully so. In Heba Khaled, Talal Derki and Ali Wajeeh’s documentary Under the Sky of Damascus such a claim is disgracefully true. Of course, most of the documentaries we watch are driven by real events, but in this specific case something totally unexpected occurs and it doesn’t just shake up the crew’s production plans, but also adds a gigantic layer of meaning to the whole narrative. A Danish-German-American-Syrian co-production, Under the Sky of Damascus, was world-premiered in the Panorama Strand of this year’s Berlin International Film Festival (1
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