Though it exists today only in photographs and fragments, Horatio Greenough’s 1853 statue group, “The Rescue,” still retains the power to shock. Looming over the East Front of the United States Capitol for more than a century, it depicted a grotesquely large white man in neoclassical garb subduing an equally caricatured Native American, while a cowering white woman snatches her child away in the background. Despite generations of scholarship on Indigenous America, many Americans still imagine the United States as a nation born distant from the wars of powers and principalities, unstained by the carnage of various “bloodlands.” Nineteenth century Americans and their statues were more honest:
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