Maryam Touzani’s films give people a voice. From her 2015 short Aya Goes To The Beach, which followed the story of a domestic helper who dreamed of a life by the sea, to 2019’s Adam, which explored the connection between a young pregnant woman and a single mother, Maryam isn’t afraid to dive into topics others might consider taboo. "It’s important for me to tell meaningful stories, to give a face and voice to people that don’t necessarily have one because it’s hard to be who they are in certain societies and contexts" Her latest work is no different. Premiering at the 2022 Cannes Film Festival, The Blue Caftan watches emotions unfold in one of Morocco’s oldest medi
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