In April 2017, just over a month before The New York Times brought the 14-year history of its public editor to an ignominious end, writer Leah Finnegan used her column at The Outline to ask: “Who is the public editor for?” Ostensibly a kind of ombudsman, an advocate for and occasional explainer to a publication’s readership, the role, at the Times and elsewhere, frequently seemed to be less of a readers’ representative and watchdog than it was an expression of one of the great unacknowledged weaknesses of American journalism: its oddly unreflective self-infatuation; its strange and public obsession with codes and standards of professional conduct and ethics that so often seem to voters, citi
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