When Luis Buñuel won his only Palme d’Or, at Cannes in 1961, it was for Viridiana, a Spanish-Mexican co-production about a nun whose rich uncle attempts to rape her; the next day, after he hangs himself, she inherits his country estate, righteously inviting local beggars to reside there in her care. In the film’s climactic scene, Viridiana’s leprous wards besiege the mansion in blasphemous mockery of Da Vinci’s Last Supper, upon discovery of which, Buñuel’s camera strongly implies, the heroine goes to bed with her bastard cousin and their maid, having already tossed into the fire her crown of thorns.Just seven years later, in 1968, Jean-Luc Godard and François Truffaut staged a boycott of th
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