The moral of a story is not always clear, or the same to everyone in the audience. This is true of the narratives we construct to make sense of our lives: We attempt to give devastating events a silver lining, or ordain our good fortune with the authority of fate, though others may not see it. One person sees their heartbreak, in hindsight, as the thing that taught them to re-evaluate what love, community, and friendship can really mean. Their friend, meanwhile, wishes they would have learned not to date married men. This kind of multiplicity haunts folktales and parables; the moral depends on the disposition of the reader. “The Ugly Duckling” could be a story about the importance of not jud
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