HALFWAY through reviewing Irma Vep, one thing is painfully clear: maybe writer-director Olivier Assayas should just pick up the phone and call his ex-wife. But I’m getting ahead of myself. I watched the original Irma Vep (1996) many years ago, and I remember it being a quirky, somewhat confusing film that featured Cheung, one of my favourite Hong Kong stars – essentially playing herself – as an actress hired for an avant-garde French remake of a 1915 silent film. Cheung and the film’s (real-life) director Assayas would later go on to marry, before divorcing after three years.Now, Assayas is revisiting his cult classic film, in a miniseries remake. This time, it stars Oscar-winner Alicia Vika
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